The LunchBox Gallery – 2nd opening night of the “Summer Photo Show 2012” – Sept 8th!

Hello LunchBoxers!

We are pleased to invite you to the second opening night of the acclaimed annual group exhibition “Summer Photo Show 2012“, this September 8th from 7-10 pm (though we will be open since noon – 12pm). The show features the photography work of fourteen artists. The showcased pieces are a result of a call for entries oriented to national and international visual artists working in all styles of contemporary photography including any mixed-media art that utilized photography as one of its forms of expression. All photographic methods, formats, types and schools were welcomed.

In this show, The Lunch Box Gallery is exhibiting works of insightful conceptual ideas materialized through exceptional craftsmanship, which are intended to represent fascinating takes and points of view in photography nowadays. The thought behind the image of the artist is very important in this show, yet as important as the final visible result. The range of photography tendencies to be found in the exhibition is vast: from conceptual and documentary photography, to narrative photography, photo-essay, iPhoneography and photo-collage; touching on topics like obsessive-compulsive tendencies, the demystification of the “happily ever after”, performative images that play with childhood materials to reflect on how they determine us, or the mistreated young Muay Thai boxers from a Bangkok slum. They all convey on representing an individual concept and a very particular way of externalizing it.

Photographers participating in the show include:

Sarah Tortora (Connecticut), John William Keedy (New York), Noah David Bau (Boston/Bangkok), Amy Leibrand (Ohio), Miranda Maynard (North Carolina), Lissette Schaeffler (Miami), Aimee Hertog (New Jersey), Dafna Steinberg (Washington DC), Ted Oonk (The Netherlands), Luisa Mesa (Miami), Troy Colby (Kansas), Ramesh Pithiya (Washington DC), Naimar Ramirez (Puerto Rico) and Tracy Thomas (California).

A few lines about the artists and their artworks…

Sarah Tortora (Connecticut) – Sarah’s photographs in this show address displacement by organizing unrelated objects within the frame, where the addition of an anonymous subject in these works further frustrates one’s ability to establish a narrative within the contents of the image; reminding us of our existence in a world of constant material experience and exchange. Her work explores the experiences of the product shot versus the object it depicts, where the product shot arguably fetishizes and idealizes the object to a greater extent than the object can ever achieve for itself.

John William Keedy (NY)- This visual artist is exhibiting three pieces from his intriguing series “It’s Hardly Noticeable”, which explores the complex and meticulous world of a character who is caught between an overwhelming drive to yield to his compulsions and an undeniable desire to blend in with those around him. The portrayed scenarios are the result of a man who struggles to reconcile himself with his differences and obsessions, attempting to find a balance. This series has become a performative way for the artist to indulge his own anxieties.

Noah David Bau (Boston/Bangkok) – He is participating in the show with “This Is My Body”; a series of portraits depicting young professional Muay Thai boxers at a training camp in Bangkok’s most notorious slum. His aim is to deliver the viewer to the intersection of adolescence, commerce, beauty, and brutality, photographing boys that have been orphaned or neglected and discarded, subjected to grueling workouts, brutal body punishment and trained to be merciless. Noah realized these boys are at once admired and unwanted, savage and forlorn, innocent and jaded, becoming inspired to create this series and illuminate these contradictions.

Amy Leibrand (Ohio) – Amy is featuring two pieces from her series “Tensional Perspectives”, which explores situations and conditions characterized by speculative future outcomes. Can we not escape the limitations that define our presence? By exploring the dynamics of boundaries and placements, one’s sense of identity dissolves, bringing about disorientation, but also the possibility of new perspectives.

Miranda Maynard (North Carolina) – “Manners” is a series of conceptual photographs that focuses on the body and food as intimate cultural symbols, and on play as a means of self- determination. Miranda’s work is a process of performing with childish materials and bright colors that were captivating to her in her childhood, but that nevertheless are relevant to a broader audience. She believes there is something infectiously exciting about seeing people playing with the materials they want to play with.

Lissette Schaeffler (Miami) – This photographer is featuring two pieces from her series “By The Hour”, which portrays the rooms of the typical “Pay by the Hour” motels in Miami. The artist incorporated the element of surprise, but never asking to see the rooms before paying for them; like having a rendezvous between the space and herself. What’s really behind this project is the artist’s personal need to discover if she could photograph the urban landscape as comfortably as she did her portraits; finding out she approached them very similarly, treating the rooms as sitters and ultimately becoming portraits of the space.

Aimee Hertog (New Jersey) – Aimee’s work explores what it means to be feminist in a post-feminist era through her series “Defying Gravity”. Starting with sculpture, the artist manipulates wedding gowns to explore the reality behind the myth of living “happily ever after”, and then superimposes them onto claustrophobic, two-dimensional, photographic landscapes. That is how her photographic narratives are created to reflect a disillusionment with contemporary society by emphasizing the dichotomy between “natural” and “artificial”, and highlighting the difficulty women have constructing and retaining their identities in a culture that favors traditional gender roles.

Dafna Steinberg (Washington DC) – Dafna is what you can recognize as an integral artist. Working in photography, video and mixed media, she brings us her complex photographic collages. Always fascinated by details and things in fragment, her series “Little Monsters” takes the spectator’s imagination in a different direction, allowing him/her to wander through different story lines. Her inspiration comes from dreams, the media and how she sees the world, utilizing magazine cut outs, vintage postcards and photographs of unknown people.

Ted Oonk (The Netherlands) – The artist is exhibiting two images from her series “The too-aesthetic database”, a series of non-fictional photographs on her sister Pim who has Down Syndrome. Ted’s work stem from a fascination and discontent that she has in relation towards the way we deal with matters that deviate from the norm, and how imagery contributes to the way we stigmatize. Aesthetic, poetry and intimacy play a great part in her work as well as awkwardness and the pained, providing another kind of perfection which becomes a challenge to keep up with in this image-ruled world.

Luisa Mesa (Miami)- Luisa is renowned by her mixed-media collages that also incorporate illustration, drawing, photography, painting and digital manipulation. The artist interprets our reality as the manifestation of an invisible force that animates it, where life is not flat but full of layers beneath the surface. Luisa introduces old portraits into her work, juxtaposing the old and the new and ‘giving them life’ in a contemporary setting, thus allowing them possibilities they may have never had.

Troy Colby (Kansas) – Trough his series “The Return”, Troy reflects about how in all the midst of the modern advances, we are losing ourselves daily to this life that has lost touch with just being human. We struggle to maintain, control and advance over nature, even in beauty. As age creeps up we do everything to fight it and try to withhold the process from taking place, yet at some point we start to come to an area of acceptance and peace. We have to either put faith in what is to come, or just do not have any more fight left in us. This is the point where we are returning back to where we came, an earlier condition or place; and that’s what is revealed in Troy’s images.

Ramesh Pithiya (Washington DC) – Ramesh creates photographs, sculpture, and site-specific installations that explore how we rely on photography to provide our memories of personal experiences, to frame our understanding of who we are, and to shape and preserve our collective memory of historical events. Inspired by our instinct as archivists, gathering and sifting through the documents and objects, his work documents temporary still life structures that combine political, social and personal material within sculptural compositions; bearing witness to experience how used things or how things can be used in another context, which find their relationship in our daily life.

Naimar Ramirez (Puerto Rico) – Her work presents questions about identity and its relationship to images, reflecting on the dichotomy between what is seen and what is projected through the creation of masks. As intermediaries between the wearer and the outside world, the masks strive to show some ways in which individuals are represented, and how much ‘truth’ can be communicated through this depiction; also, how we re-create ourselves in response to our context by manipulating our own image. Working with what seem to be wearable, interchangeable pieces like free magazines, the viewer can feel as though they can pick and choose what they need, or would like to be like, making of the image/identity a usable object. At the end, Naimar works with a general approach to the way our self-image is informed by outside events and propaganda.

Tracy Thomas (California) – Well-know iPhoneographer, each of Tracy’s montage pieces are shot and edited entirely on an iPhone4; a device that for sure has provided her wings to the whimsical, sometimes bizarre and oft-times humorous alter-ego buried deep inside her. By combining the old with the modern element, Tracy juxtaposes photographs taken prior to the 1940’s with her own shot background elements, reflecting on the contents of the leftover creative imaginings of her childhood mind, bringing to life interesting characters of her dreams.

 

The Lunch Box Gallery

310 NW. 24th St. Miami, FL 33127
http://www.facebook.com/thelunchboxgallery
http://www.thelunchboxgallery.com

Fictional Eyes: The Dreams of Reason” photography show at The Lunch Box Gallery

Miami, FL – The Lunch Box Gallery, in conjunction with contemporary art webzine from Spain, Area Zinc, are pleased to announce the new exhibition Fictional Eyes: The Dreams of Reason, showcasing the photographs of 8 artists who have been previously published in Area Zinc. The opening reception is on May 12th, 2012 from 6:00pm to 10:00pm at 310 NW. 24th St. Miami, FL 33127.

After a rigorous selection process, a body of works have been chosen that convey the idea of photography as an exercise for the imagination. All the pieces in this show reveal fictional situations, scenarios, objects and even narratives that defy not only the way we see and associate the elements that surround us, but as well challenge the limits of photography as an art form. The artworks confront the traditional idea that a photograph reflects reality, and they also deal with the diversity of outside influences that photographers have incorporated into their images when utilizing other methods of creation and techniques that weren’t necessarily there in the original take.

 

 

The use of technology, digital manipulation, 3D design, illustration, collage, graphics tablet, among many others, indeed transform the image to become “something else”, taking the shape of oneiric expressions and illusions that unleash conceptual and personal imaginations. Nevertheless, even though many of the images reveal nonexistent places, forms and circumstances, they all depart from elements of real life taken with a camera, and at the end, they may become verisimilar to the eye of the beholder thanks to the mastery in merging all the elements together; just like a dream that feels real when dreaming it. Pre-conceived techniques during the taking of the photograph as well as in post-production, become the set for the visual trap, making the impossible, possible.

Awe, curiosity, open conclusions and unlimited meanings arise from the sometimes unconnected imagery that we observe, stimulating the individual appropriation of the photograph by giving the connotation each viewer wants to assign. Here, concept and technique together omit the laws of reason, entering into the dreams of those who create with fictional eyes.
Photographers participating in the show include Sandra Torralba (Spain), Stefano Bonazzi (Italy), Christopher Lee Donovan (USA), Michel Rajkovic (France), Serrah Russell (USA), Kaveh Hosseini (Germany), Polly Chandler (USA), Alba Tenas (Spain).

Fictional Eyes: The Dreams of Reason will be opened to the public on Saturday, May 12th from 6:00pm during the popular Gallery Walks, at 310 NW 24th. St. Miami, FL 33127 (Wynwood Art District). Nevertheless, the gallery will be open that same day since 1:00pm.

More about Area Zinc: Founded in 2007 in Spain, this internationally renowned webzine is directed by Andres Vargas. More than 30 thematic editions have been published throughout the years, showcasing the artworks of more than 1,000 artists from all around the world. Area Zinc has been successfully giving voice to all mediums which include illustration, painting, sculpture, photography and more, always focused on representing the latest tendencies of these art forms. For more information, please visit http://www.area-zinc.com

The Lunch Box Gallery
310 NW. 24th St. Miami, FL 33127
http://www.thelunchboxgallery.com

M-lon at The Lunch Box Gallery

Artist: M-lon
Exhibition: Arrived
Venue: The Lunch Box Gallery
Address: 310 NW 24th St. Miami. USA
Date and hour: 05-14-11  5:30 pm – 10:30pm

Press release:

Arrived gathers 18 photographs intervened with digital illustrations (mixed media) by Venezuelan artist, painter and illustrator M-Lon(Miguel Gonzalez), who combines photography with the use of a WACOM digitalpen, thus giving life to images that equally share the participation of bothreality and fantasy.
This series is born bythe need to awaken reflections about our environment, by means of the visit ofimaginary beings that interact with our context. These entities star in scenesof urban and natural encounters, particular or general ones, within a reality which we would consider they don’t belong to, butnevertheless where they try to find their own space.
By penetrating into anunknown society, these beings attempt to discover our world through innocentfrolicking; and the behavior that sometimes seems vile or spiteful, is nothingmore than a wild and instinctive interaction caused by not knowing the conduct codes of our world. In fact, these are interactions where the process of exploring turns them intopersonifications of feelings and moods in their maximum state of purity;emotions we can somehow relate to.
These approaches, many times nostalgic and curious butalways naïve, along with their visions confronted with joy or lack of it when entering our space, are an invitation todiscover, imagine and reconsider the world that surrounds us.
Arrived reflects on the M-Lon’s idea that when we trulycome close and stop to observe, admire and understand that all these elements,natural or man-made, mean something to someone, it is in that precise momentwhen we will begin to take care, enjoy and respect it all.

INVERSES by Rodolfo Vanmarcke

 

INVERSES, by Rodolfo Vanmarcke
Feb 12, 2011 – March 09, 2011

Miami, FL – The Lunch Box Gallery is pleased to announce its new show “Inverses,” a mind-bending exhibit by acclaimed Venezuelan photographer Rodolfo Vanmarcke on February 12, 2011 at 310 NW. 24th St. Miami, FL 33127.
The exhibition features 15 photographs from “Inverso-símil” and “Inverso-símil en Clave Cóncava,” two renowned photograph series shot by Vanmarcke. Both series are designed to challenge the natural way we observe our everyday world by means of a devious visual experiment; Vanmarcke reshapes common landscapes and urban scenes by “maliciously” inverting his captured images and using (as close accomplices) the reflection of rainwater puddles and a magnifying glass.
The result is a stunning visual effect that challenges us to view the common in a new way, combining two sides of a coin in a single image — the right way up and the wrong way down, the real and the imagined, the possible and the impossible, the within and the without; unthinkably merging multiple scenarios that cause confusion in the viewer when discovering them. At the end, images that appear to be digital manipulation are actually real photographs preconceived to exist upside down, inside out.
By integrating documentary photography with surrealism, Vanmarcke forces the viewer to untiringly pursue the regulatory intervention of reason, arising in him a fight between his perceptions vs. recognition.
In conclusion, these series inverse the natural order of things to play with the implausible factor in the viewer: Perception is subjective and images that seem to be true, are not necessarily so. It’s up to the viewer to decide.

When: February 12, 2011
Where: The Lunch Box Gallery. 310 NW. 24th St. Miami, FL 33127
Time: starting at 7:00 p.m.

 

see some of rodolfo’s pictures at www.area-zinc.com

RODOLFO VANMARCKE – INVERSOS EN GALERÍA DE ARTE BORTOT

A partir del próximo 27 de noviembre se inaugura la muestra fotográfica “Inversos” del artista visual Rodolfo Vanmarcke, quien en esta oportunidad nos brinda una selección de 16 obras fotográficas en pequeño formato, en la Galería Arte Bortot.

A lo largo de este año 2009, los importantes logros del fotógrafo artístico Vanmarcke incluyen desde diversas muestras en salones nacionales e internacionales, como por ejemplo el XXXIV Salón de Arte Aragua; publicaciones en revistas de renombre artístico en España, México, Estados Unidos, Gran Bretaña, Rumania y Turquía; hasta resultar el ganador del título “Mejor Obra” en el Salón Latin American Art XII en la galería de la Universidad Broward College de la ciudad de Pembroke Pines, en Estados Unidos. Por ello, la Galería de Arte Bortot celebra su trabajo artístico en una exposición que reúne dos de sus más afamadas series: “Inverso-símil” e “Inverso-símil en Clave Cóncava”.

Ambas series fotográficas persiguen la ruptura de los paradigmas visuales y la re-elaboración de nuevos paisajes y situaciones urbanas a partir de las ya existentes, a través del uso “mal intencionado” del reflejo y mediante la incorporación de un lente de aumento cóncavo. El logro efectista de estas series busca revelar las dos caras de la moneda (el derecho y el revés, el arriba y abajo, lo real e irreal, el adentro y afuera) para luego comprender que hay múltiples escenarios dentro de uno sólo; que de hecho hay una variedad de “caras” ocultas que generan confusión al ser descubiertas… composiciones que seguirán autogenerándose hasta el infinito.

Frente a este experimento visual que juguetea entre el documentalismo fotográfico y un surrealismo con olor a asfalto mojado, el espectador persigue incansablemente la intervención reguladora de la razón, levantando una lucha entre los paradigmas, sus códigos de reconocimiento y la Gestalt.

Así, unas imágenes que aparentan ser una manipulación digital, no son más que una serie de fotografías preconcebidas para existir al revés.

RODOLFO VANMARCKE – NUEVO WEBSITE

vanmarcke

Los invitamos a visitar la página web del artista visual venezolano Rodolfo Vanmarcke, quien ha participado anteriormente en nuestras ediciones de Delirio y Secretos. En la página podrán encontrar tanto los diversos trabajos del artista, así como todas sus noticias concerniente a sus exposiciones y publicaciones. No dejen de visitarla en www.rodolfovanmarcke.com.